Since 2010 I have been using this site to discuss my interpretations of famous Renaissance paintings including Giorgione's "Tempest" as "The Rest on the Flight into Egypt"; his "Three Ages of Man" as "The Encounter of Jesus with the Rich Young Man"; Titian's, "Sacred and Profane Love" as "The Conversion of Mary Magdalen"; Titian's "Pastoral Concert" as his "Homage to Giorgione", and Michelangelo's"Doni Tondo." The full papers can now be found at academia.edu.
Showing posts with label Maesta. Show all posts
Showing posts with label Maesta. Show all posts

Tuesday, March 15, 2022

Duccio: Maesta

Number 5 on the list of top viewed posts on Giorgione et al... is a brief post originally written ten years ago directing readers to a study of Duccio's Maesta by my English friend and correspondent David Orme. The post was intended to direct readers to David's wonderful exposition of the Maesta that he had put up on his website,  Art Threads. Just click on the Duccio section and you will be able to scroll through all the panels on both the front and rear of the famed altarpiece.



In addition to the depiction of the Madonna and Child, the front panels depict scenes from the life of Mary. The focus of the rear is the Passion and Death of Christ with panels depicting scenes from the life of Christ with emphasis on the Passion narrative.



David, a professed agnostic with a love for Italy and its art, has provided the relevant scriptural passages as well as brief comments.

This site is devoted to Giorgione and the Venetian Renaissance but I couldn't resist the opportunity to draw attention to David's work on Siena's famous Maesta, an altarpiece that I now see ranks right up there with Giotto's work in Padua's Scrovegni chapel. ###

Thursday, February 16, 2012

Duccio: Maesta

Here is just a brief post to direct readers to a wonderful exposition of Duccio's Maesta that David Orme has put up recently on his website at art threads. Just click on the Duccio section and you will be able to scroll through all the panels on both the front and rear of the famed altarpiece.


In addition to the depiction of the Madonna and Child, the front panels depict scenes from the life of Mary. The focus of the rear is the Passion and Death of Christ with panels depicting scenes from the life of Christ with emphasis on the Passion narrative.



David, a professed agnostic with a love for Italy and its art, has provided the relevant scriptural passages as well as brief comments.

This site is devoted to Giorgione and the Venetian Renaissance but I couldn't resist the opportunity to draw attention to David's work on Siena's famous Maesta, an altarpiece that I now see ranks right up there with Giotto's work in Padua's Scrovegni chapel.